Stéphane Ehret : Thèse Panthère

Dates de concerts

Retrouvez ici les musiques en scène, les lieux, les horaires et les liens de réservation.

A minimalist, photographic close-up of an over-ear studio headphone resting on a dark velvet cushion, cable coiled like a sleeping panther’s tail. The headphone’s matte black finish is interrupted by a subtle, engraved “SE” monogram shape without readable text, hinting at Stéphane Ehret’s personal project. The scene is set on a charcoal desk beside a small, softly glowing audio interface. Cool, diffused evening light from a nearby window mixes with a warm accent LED strip, creating a gentle color contrast and delicate bokeh in the background. Shot from a low, intimate angle with a shallow depth of field, the image feels hushed and deeply introspective, evoking solitary late-night listening and emotional immersion in music.

Concerts et performances

18.09.25

Théâtre Panthère

Paris, FR

Réserver

23.09.25

Chapelle Sonore

Bruxelles, BE

Réserver

28.09.25

Auditorium Bleu

Genève, CH

Réserver

20.09.25

Studio Intérieur

Lyon, FR

Infos billets

24.09.25

Scène Nocturne

Luxembourg, LU

Infos billets

30.09.25

Le Cube Noir

Lausanne, CH

Infos billets

21.09.25

Maison des Arts

Metz, FR

Réserver

27.09.25

Théâtre des Ombres

Nancy, FR

Réserver

01.10.25

Salle Hypnotique

Fribourg, CH

Réserver

A grand piano in photographic realism, its glossy black lid half-open, revealing strings that catch soft morning light streaming through tall industrial windows. On the music stand lies a single, slightly curled sheet titled “Thèse Panthère,” rendered as abstract lines and shapes instead of readable text. The piano stands on a polished concrete floor, scattered with faint reflections of the windows. Light mist outside softens the cityscape, visible as a gentle blur. Captured from a slightly elevated three-quarter angle, the composition emphasizes elegant curves and serene negative space. The mood is contemplative and sophisticated, suggesting introspection, nuanced emotions, and the artist as philosopher quietly arranging life into music.
A dark, photographic still life of a sleek black panther figurine carved from obsidian-like stone, poised gracefully atop a stack of worn music notebooks and a small external hard drive. The sculpture’s polished surface catches a razor-thin streak of warm spotlight from above, tracing its spine and face, while the rest remains in velvety shadow. Around it, scattered notation pages display only abstract marks and curves, avoiding readable music. The background dissolves into deep, bluish-black tones. Captured at a low angle with dramatic chiaroscuro lighting and a tight, centered composition, the mood is mysterious, philosophical, and emotionally charged, symbolizing “Thèse Panthère” as a powerful, introspective musical thesis.
A close-up, photographic image of a vintage reel-to-reel tape machine on a matte black console, its brushed steel reels motionless, holding the completed body of work titled “Thèse Panthère.” Fine dust speckles the metal surface, and small indicator lights glow softly like embers. The scene is lit by a single warm desk lamp from above, creating dramatic side lighting that sculpts the contours of knobs and switches. The background fades into velvety darkness, with only hints of shelves and stacked tapes. Framed using the rule of thirds and a shallow depth of field, the atmosphere is quiet, sophisticated, and introspective, capturing the weight of preserved emotions and memories in sound.

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